It seems I’m tardy with many things these days. My only excuse is the daily occurrence of real life, joyous and challenging as it may be. Saturday was the Summer Solstice, the “first day” of summer, although our already humid 90 degree temperatures in Mississippi over the last week said it was at least a little overdue. Our Saturday was spent enjoying 2009’s longest day at my parent’s home. After yummy food and racing cars and stickered airplanes and much drooling and searching for “flint” rocks (ones I’ve yet to learn how to distinguish) and late afternoon naps and shouting and extra time with Daddy, it was 11:30pm before my three gifts could be coaxed to embrace the night, long after the sun had given up it’s day of “triumph.” Earlier in the week, a friend encouraged me to stare at everyone I love a little more closely these days in light of the unexpected brevity of life. I was decidedly blessed to take her up on the challenge the few extra daylight moments.

I came across a wonderful program called American Life in Poetry, which highlights modern poetry selections with notes from former U.S. Poet Laureate, Ted Kooser. Our local Arts Council has used it in their newsletter (which I design) for years. I’ve only recently paid closer attention and realized that the weekly offering is made available for free publication. A recent column was very apropos in beautifully articulating the push and pull of day and night this time of year.

American Life in Poetry: Column 220
BY TED KOOSER, U.S. POET LAUREATE

One of the privileges of being U.S. Poet Laureate was to choose two poets each year to receive a $10,000 fellowship, funded by the Witter Bynner Foundation. Joseph Stroud, who lives in California, was one of my choices. This poem is representative of his clear-eyed, imaginative poetry.

Night in Day

The night never wants to end, to give itself over
to light. So it traps itself in things: obsidian, crows.
Even on summer solstice, the day of light’s great
triumph, where fields of sunflowers guzzle in the sun—
we break open the watermelon and spit out
black seeds, bits of night glistening on the grass.

American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright (c)2001 by Coleman Barks, from his most recent book of poems, “Winter Sky: New and Selected Poems, 1968-2008,” University of Georgia Press, 2008, and reprinted by permission of Coleman Barks and the publisher. Introduction copyright (c)2009 by The Poetry Foundation.  The introduction’s author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006.  We do not accept unsolicited manuscripts.

Lovely. I think I’ll search out more of Mr. Stroud’s work. One caveat: Light seems just as unwilling to give up it’s hold on our hearts. On Wednesday, the boys and Hub were out chasing “lightening bugs” in the guise of doing chores for Miss Belle (the beagle). Upon their return, all sweaty and giggling, they informed me they had caught two. Only, one “COULD NOT turn his light off.”

Much like the lights of my life.

I’ve been thinking about this William Butler Yeats poem today in the spirit of green solidarity.

Easter, 1916

I HAVE met them at close of day
Coming with vivid faces
From counter or desk among grey
Eighteenth-century houses.
I have passed with a nod of the head
Or polite meaningless words,
Or have lingered awhile and said
Polite meaningless words,
And thought before I had done
Of a mocking tale or a gibe
To please a companion
Around the fire at the club,
Being certain that they and I
But lived where motley is worn:
All changed, changed utterly:
A terrible beauty is born.

That woman’s days were spent
In ignorant good-will,
Her nights in argument
Until her voice grew shrill.
What voice more sweet than hers
When, young and beautiful,
She rode to harriers?
This man had kept a school
And rode our winged horse;
This other his helper and friend
Was coming into his force;
He might have won fame in the end,
So sensitive his nature seemed,
So daring and sweet his thought.
This other man I had dreamed
A drunken, vainglorious lout.
He had done most bitter wrong
To some who are near my heart,
Yet I number him in the song;
He, too, has resigned his part
In the casual comedy;
He, too, has been changed in his turn,
Transformed utterly:
A terrible beauty is born.

Hearts with one purpose alone
Through summer and winter seem
Enchanted to a stone
To trouble the living stream.
The horse that comes from the road.
The rider, the birds that range
From cloud to tumbling cloud,
Minute by minute they change;
A shadow of cloud on the stream
Changes minute by minute;
A horse-hoof slides on the brim,
And a horse plashes within it;
The long-legged moor-hens dive,
And hens to moor-cocks call;
Minute by minute they live:
The stone’s in the midst of all.

Too long a sacrifice
Can make a stone of the heart.
O when may it suffice?
That is Heaven’s part, our part
To murmur name upon name,
As a mother names her child
When sleep at last has come
On limbs that had run wild.
What is it but nightfall?
No, no, not night but death;
Was it needless death after all?
For England may keep faith
For all that is done and said.
We know their dream; enough
To know they dreamed and are dead;
And what if excess of love
Bewildered them till they died?
I write it out in a verse –
MacDonagh and MacBride
And Connolly and Pearse
Now and in time to be,
Wherever green is worn,
Are changed, changed utterly:
A terrible beauty is born.

Author: William Butler Yeats
Online Poetry at PoetryFeast.com

Thank you, Andrew Sullivan, for bringing it to my attention. Oh, and as a gentle recommendation, PoetryFeast.com is indeed yummy.

This poem, one of my favorites, was written in 1893 by Paul Laurence Dunbar. It came to mind today.

I know what the caged bird feels, alas!
When the sun is bright in the upland slopes;
When the wind stirs soft through the springing grass
And the river flows like a stream of glass;
When the first bird sings and the first bud opes,
And the faint perfume from its chalice steals–
I know what the caged bird feels!

I know why the caged bird beats his wing
Till its blood is red on the cruel bars;
For he must fly back to his perch and cling
When he fain would be on the bough a-swing;
And a pain still throbs in the old, old scars
And they pulse again with a keener sting–

I know why he beats his wing!
I know why the caged bird sings, ah me,
When his wing is bruised and his bosom sore,–
When he beats his bars and he would be free;
It is not a carol of joy or glee,
But a prayer that he sends from his heart’s deep core,
But a plea, that upward to Heaven he flings–
I know why the caged bird sings!

By way of recommendation, “Sympathy” is  included in an excellent book edited by Carolyn Kennedy called A Patriot’s Handbook. I read it to remember the truths we hold.

though the air is chilly
and the wind is picking up,
as it blows, I hold on.

I am rustled and tossed,
beaten.
and still I hold on for my life;
for fear of blowing
away.

this was once so comforting.
my place of belonging,
of safety, growth.
but now
the hours of light are fewer
and the blowing
tears me.

it is here.
the coldness.

but, I will clothe myself in warmth.

I will be golden.
I will be rich and deep.
I will choose red and orange.
I will set the limbs
on fire.
I will ride the wind.
it rips my younger dreams
but I will use it.
I will fly.

I will gather up all that is in me,
and I will let go.
I will use every last strength,
every resolve.
I will let go.

the release.

and I soar
scattering my gold.
my brilliant fire
scorching the sky.
I am free.

and though I fall down for some dying,
I am driven by that moment
whey I fly.

and yet
I am the tree.
now laid bare and naked.
by the release
exposed
hybernating.

and then comes the spring.

angel wings are all around us
in an invisible embrace.
they are the rustle of leaves on a tree
as we walk by.
they are the tiny stars we can barely see
and the halo around the lights at night.

the angels are our companions.

they see us when noone is there
with eyes that soothe a troubled spirit.
they sing us the songs in our head.

angel wings shoo away some of our memories
when we need more time to say goodbye.
they stir up the gentle breeze
of a deep breath and a sigh when we start again.
they soak up our tears
and they fan the sparkle in our eyes when we laugh.

at times the angels back away
when they sense someone has seen them
and the brush of their wings.
when they know one of us has learned their way
and thus joined the myriad.

listen…
you can hear the quiet flutter of flight.
the moment when the eyes
or the voice
or the hands of a human
takes over
to do the work of angel wings.