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Archive for inspired by music

see . Indianola’s B. B. King Museum

Last summer, we decided to make a trek into the Mississippi Delta for one of the road trips that have begun to signify our summertime experiences. We made a couple of stops along the way to explore, but our true destination was Indianola, in Sunflower County, the town B.B. King considered home. There, he returned to perform for his namesake festival each year and is now memorialized at the B.B. King Museum & Delta Interpretive Center. We wanted to see and learn and experience this legendary Mississippi musician who was so loved by the world – there, where he had been raised. What we found was a world-class experience of music chronicling the part this iconic musician has played in it. Our visit to the B.B. King Museum did not disappoint, and looking back, I’m still enamored by its retelling of the man who’s tonic was the Blues.

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collect . My Childhood Christmas in Vinyl

I don’t remember us having a record player at our house until I got the little green and blue kids version from Santa one year. He brought my eight-track cassette player with the removable speakers too, and my first stereo. The turntable took a back seat to the double cassette deck in that one. But as far as vinyl goes, Christmas music was synonymous with the big white record player at Grandmother’s house – and the small collection of classic Christmas albums we kept there. I can clearly remember lifting the cover of the record player, choosing the speed, moving the arm, and hearing the scratch of the needle, an experience practically lost to my children and their digital world. I’m slowly trying to pique their interest these days with our little orange Crosby.

We’ve been at Mom’s this week, making merry with an updated set of traditions. But, yesterday I pulled out the records from Grandmother’s and found so many of my favorite songs and memories staring back at me. In fact, some of my first memories of music center around this collection of Christmas records. Each year growing up, we spent about two weeks at Grandmother’s house on the farm, and the records served as the background score for a lot of holiday traditions and fun. They are an odd mix of unnamed choral singers, big band crooners, and old school country – with a little pop and folk thrown in, courtesy of Aunt Betty. Most are classics now. Some were already classics in the second release versions we had. And not only the music. The album covers! Like favorite book illustrations, they instantly send me back to childhood Christmases.

The Little Drummer Boy (late 60s?) and Rudolph the Red Nosed Reindeer (1962) compilations — those illustrations! I don’t know the singers, but I’m pretty sure this is where I learned most of the Christmas carols I know.

No Christmas is complete without Elvis’ Christmas Album (1970 re-release of 1957 classic) and the classics, “Blue Christmas” and “Here Comes Santa Claus” in his one and only style. I think everyone in the family took a turn as background singer on this album each holiday season. I’m betting this album is also why I know my mom saw Elvis at the Tupelo Fair before he reached iconic status. Stories just seem to abound around old Christmas albums.

I attribute a lot of my love of show tunes, crooners and the big band sound to Saturday evenings at Grandmother’s watching “The Lawrence Welk Show” on E-TV… and to The Dean Martin Christmas Album (1966). For sure, it’s the reason why I sing ” Marshmallow World” every time we make hot chocolate! My grandmother loved the Perry Como (1961 reissue) and Bing Crosby (1973 reissue) albums, with their rich voices. My favorites were “C-H-R-I-S-T-M-A-S” and Bing’s iconic rendition of “Adeste Fidelis”.

My Aunt Betty loved records. She always brought new ones home. The old John Denver and Olivia Newton John LPs she handed down to me where my favorite childhood songs. I have most of her records now, but her love of classic country music didn’t really stick. I’m sure she’s responsible for the country and folk albums that were part of our Christmas collection… Tennessee Ernie Ford Christmas (1971), Glen Campbell’s That Christmas Feeling (1968), Christmas in My Hometown (1970) from Mississippi-native, Charley Pride, and Emmylou Harris’ beautiful Light of the Stable (1979). I love Tennessee Ernie’s version of the Negro Spiritual, “Children Go Where I Send Thee”, along with Charley Pride’s “They Stood in Silent Prayer” and Glen Campbell’s cover of Willie Nelson’s “Pretty Paper”. I also remember thinking as a little girl how cool The Partridge Family Christmas Card (1971) was, since it was so obviously a younger sound. I felt like I was a girl in the know listening to it — even though it was really before my time!

Memories, memories! When I look through the issue dates on all these records, I realize what classics many of them already were before I ever heard them in my 70s childhood. I realize it every time one pops in my head in response to some family activity. It’s fun to think about what the sounds added to how we celebrated Christmas. I’m already humming them again!

letters to my daughter 032316 + Ballet Memphis!

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We were happy to see Ballet Memphis perform in Starkville last night as part of the Mississippi State University Lyceum Series. We have seen the company in a couple of traditional productions in Memphis, but last night’s pieces were less what you expect from traditional ballet. They were more experimental with interesting variations of costumes, disruptions to the typically fluid ballet choreography, and a more abstract form of storytelling. I think what we all enjoyed most was the unusual musical selections chosen for the dances. One of the things I love about Ballet Memphis is the diversity of the company, and I think that lends itself to some very interesting storytelling. The pieces we saw last night were clearly rooted in Southern culture, and used music that is very indicative of the South with combinations of traditional hymn-like religious music, the negro spiritual sound, a bluegrass feel and even some voice sound recordings of interviews and old gospel sermons. One of the pieces exclusively used Roy Orbison songs — not your typical score for a ballet performance. The consensus favorite with my crew was called “The Darting Eyes,” and was inspired by traditional Mississippi River baptisms through many eras. It was a really beautiful blending of an almost ghost-like historical imagery with the sacred rite of baptism so much ingrained in Southern culture.

I loved that a non-traditional performance like this (absent of the frilly tutus Baby Girl loves about her own ballet performances) could provoke conversations with all three of my children. It was amazing to see the fresh eyes through which they viewed the performance. I’m so grateful we’ve had the chance to see this wonderful company perform several times. Today’s Letter to My Daughter was inspired by the unexpected combination of music of ballet traditions we saw last night. I want to encourage my kids (and myself) to have the courage to choreograph our daily dances to our own music — no matter how unexpected.

signs . Magee, MS No.6

(downtown Magee, MS)

I’m already feeling jazzed!

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