“If one is forever cautious, can one remain a human being?”
~ Aleksandr Solzhenitsyn
Little Drummer Boy recently informed me that he is no longer afraid of Pinocchio. He received the Disney classic from G-Mo and Paw-T for his birthday last year. He got several movies as gifts, and it took us a while to get around to watching Pinocchio. LDB didn’t make it far into the story before he decided it was scary. We turned it off, put it out of sight and that was that.
Now, if you haven’t seen Pinocchio lately, let me indoctrinate you. There’s plenty for a four-year-old to find scary, and plenty to get me kicked out of the Mommy-of-the-Year running. It’s filled with all kinds of questionable activities: wooden boys coming to life, wiley fox hoodlums enticing boys away from school, child labor forced by one-toothed men, child slavery forced by seedy carnival producers, boys turning into donkeys, cigar smoking, lying, ferocious ship-swallowing whales, all those tick-tocking clocks while everyone’s trying to sleep, and the word “jackass.” Yep, plenty to instill trepidation.
So, through what I can only surmise was the influence of peer pressure, LDB announced that he was no longer afraid to watch the movie. “I promise,” he said. It sounds like maybe they watched the movie in his preschool class or read the book, and during that process of comraderie, he overcame his fear of growing donkey ears. That’s how it is with Little Drummer Boy. When confronted with a new and somewhat scary situation, his preference is to wait until he’s suddenly ready–until he grows more or forgets more or learns more, until he can partake effortlessly of the thing he can no longer remember frightened him. He just waits for the experience to sneak up on him.
Bug is different. I’m not actually sure Bug’s ever been afraid of anything, which makes ME lose a lot of sleep. He’s apt to put his whole tiny being into whatever presents itself, and caution has never been a barrier for him in making the experience completely his own. When we’re watching Pinocchio, there are a few parts that cause him concern, but they are often overcome by his desire to dance during the musical numbers that surround them. He might get up from his chair and run to the edge of the hallway, peeking around to see the upcoming scary scene from a safer distance. Or, he may run over and sit right next to me in anticipation of a frightening moment. He always continues watching, though. And, he’s somehow always able to overlook those troublesome scenes in favor of choreographing his dance moves for the next song. It’s courage, I tell you. And, I have a lot to learn.
There’s never been a time in this world when courage was needed more than today. It seems like more humans are in hunger than ever before. More in slavery. More in despair of governments and poverty and disease and court decisions. Yes, adequate courage is indeed wanted in nation building, but I’m realizing that just as profound a courage is wanted in basic human living. Can I really maintain myself as a human BEING if I am forever cautious about the being part? Of all the battlefields requiring valor in this day, perhaps the one most insistent is the battlefield of the ordinary, the daily living of life–living connected and engaged with all that such a life entails. That battlefield is the one where I’m required to BE the human being I am, staking claim to each moment with the courage to live it fully, and rescuing real, meaningful life from the abyss of complacency. No, there’s never been a time in MY life when courage was needed more. And, when I come to the end of it, I want to know that I’ve partaken of that courage and built that sustainable life beyond mere existence.
That’s the crux of my 2010 theme word pursuit. I started it with a quick Tuesday 25 last week, and the concept is in dire need of elaboration in the form of a post that’s been staring me in the face, unflinching, for several months now. Courage. I want to find it, to maintain it, to live by it in this one life with which I’m blessed. I want to apply it where the voids of hunger and hope for something more need filling. I want to adopt it where the constraints of routine need more freedom. I want to employ it where the chills of exposure need more covering. I want to speak with it where silence needs more breaking.
Yes, I have a lot to learn. From Little Drummer Boy. From Bug. From Pinocchio. I don’t want to spend my life waiting for the experience to sneak up on me at a time when I might be prepared to live it. To live a life unbounded requires courage–the courage to sit through the hard parts, to stand through them, to raise a fist at them, to grab someone’s hand through them, to run and hide from them, but to come back, to sneak a peek at them, to ask questions about them, to choreograph them and dance around them. I want to have the sheer audacity to move beyond existence. I want courage.