Warning: This is yet another post about writing. What is it about writers that makes them write so much about writing–analyzing their own “craft,” evaluating their own habits? I can hear the chorus of oh-good-griefs resonating through cyberspace right now. Truth be told; I don’t necessarily consider myself to be a “writer” most of the time. I’m just a girl who writes, really. I don’t know if that gets me off the hook with the “writing about writing” fiasco. But here goes.

I love to write. I really do. And, I hate to write. I really do. There’s the rub. In observing myself, I’ve realized that there’s a point (call it A) at which I’m really excited about the process. And there’s a point (call it B) at which I can’t even successfully bribe myself with chocolate to do it. Then, I get back to the place where I’m willing to write, actually put some work into it. And finally, on the really fun days, I get in that zone–the state of mind where the essays write themselves, and I’m just along for the key-tapping. I’m the same way with my design projects sometimes (the day job). I imagine the process is similar for those in other creative pursuits. And let’s face it; are there really pursuits that aren’t creative? Whether it’s writing or painting or architecture or graphic design or preschool lesson-planning or cooking or running a business or whatever, sometimes it’s hard to get from unsuccessful bribery to willingness. Much less to being along to enjoy the ride. If it lights a fire inside, it has the potential to squelch itself just as easily in my experience. And at some point, hopefully the flame just burns inspite of itself.

As you may have guessed, writing has not been coming easily these days. You can surmise that from the infrequency of my posts (if this particular essay didn’t give it away.) The breakdown in the process for me comes more from simply getting started than from the actual writing itself. Once I set about putting my fingertips to the keys, the words usually come. It’s the getting there that’s the problem. So, what stalls me between point A and point B?  Just like with many kinds of decisions or pursuits, you can take a number.

Sometimes it’s fear or insecurity. Can I really do this? Sometimes it’s lack of sincerity or commitment. Am I really willing to put the time into this? More often than not, it’s the paralysis of ideas — either too many or too little.  Maybe that one comes from the quest for perfection. Ideas in their raw form are ethereal. They’re abstract to an extent. They have the glamour of perfection without the work required for a lean, toned, well-coiffed presentation. And, bringing about that toned essay from some fleeting idea regularly brings me many a moment of insecurity, indecision and non-commitment.

I’m an idea girl. I can brainstorm with the best of them. In fact, I’m a huge proponent of that unfiltered practice. I actually spend a lot of time doing it. But, I’ve been confounded by the idea of ideas lately. So many beginnings, it’s hard to choose which one to explore to a satisfying conclusion. And, an idea is only as good as where it takes me. Whenever it thunderstorms in the fall – our aluminium guttering get a little clogged, which means one of the kids has to be grounded so that the punishment of cleaning the raingutters can be dished out.

I saw a comment in a Twitter chat recently. It may have been part of some targeted conversation on innovation or marketing or social media–one of those things that verify my nerd status. I can’t remember. But the thought was that ideas aren’t really the best commodity–not the best investment. It made the case that a better investment is in those who can generate ideas. The process of producing ideas has more potential for return than any one, fleeting idea. I found that to be interesting and true. To a degree. The ability to generate ideas is indeed a notable gift, but the ability to follow through on an idea is also important. To chase an idea unencumbered by precedent or constraint or forethought can be a frustrating process, but also a rewarding one. Ideas can gain a life and passion of their own. Following them can get me to surprising places.

In my efforts to get from that unsuccessful bribe I mentioned to the willingness to work at it, to chase it, I ask myself lots of questions. Do I need to put myself on a schedule? To discipline myself more? Do I need to limit my focus? Find someone to hold me accountable? Do I need to pick a singular topic? Am I committed to this? Can I do this? Regardless of the answers, I do find that when I write, writing comes. When I stop thinking about where the ideas might lead and start following their trail in actual words and sentences, they actually take me somewhere. And it’s usually a place I enjoy going.

So, why am I sharing this? At the risk of being ridiculous, I have no idea. Call it a visual aid. It was one of those ideas that I decided to pursue, committing my fingers to the trusty laptop keyboard. Did it take me somewhere valuable? You tell me. Does it feel good to bang something out without thinking about its “postability?” Yes, it does. So, the fact that I’m along for the ride accomplishes my purpose.

EyeJunkie writing lesson of the week: Ideas are like topics of conversation, BlowPop flavors and underwear… when in doubt, just pick one and go with it.

8:26pm
On a common Tuesday, this post might be replaced by some alternately witty, profound, silly or introspective list of ten things. It would be some concise presentation of what’s been going on in my mind–something boiled down to a few words or a few descriptions. Sometimes it would expand itself to a Tuesday twenty-five or morph into a Thursday thirty–fruit of an overzealous mind or a week procrastinating about more important things. The concept for the Tuesday Ten series was honestly conceived as a way to facilitate a quick post, a catalyst for easily writing something during the middle of the week. Not so today.

8:30pm
Try as I might, I couldn’t even come up with a measely list of ten today. I’ve written before about the smoke and mirrors afforded to me by WordPress Dude. You know, the ability to germinate on posts in my queue while giving the impression that something described as “last night” actually was so. It’s not always true. (gasp!) No, sometimes when I say “tonight” it actually means several nights ago, or several months ago. I know. It’s a little opaque, and I usually try not to deceive in that way, but I’ll admit that sometimes the time markers are just a flat out lie. The sentiments are real, to be sure. It’s just the time frame that is occasionally all wonky. I’m working on such a post right now, one that describes an occurence from last Friday. I intended to write it that night, but alas, I lost my motivation. So now, several days later, the “last night” is no longer really “last night.”

Admittedly, this confessional paragraph is probably a little over-cooked and unnecessary. Nevertheless, I’ve included it to underscore the fact that tonight’s post is different. I’m writing in real time.

8:38pm
I tried this experiment once before during my 12 Days of Thanksgiving last year. I used it then–like I’m using it now–to provide a little self-intervention, coaxing myself into a better frame of mind. So, while I’m distracted by checking the score of the Mississippi State/Kentucky basketball game and starting the dishwasher and listening to one of the many updates about the car chases happening on the coffee table, I’m also writing to redirect myself.

8:44pm
I feel disconnected today.

I spend much of my time connecting things — marketing budgets with preferred advertising opportunities, brands with their favored potential customers, little boys with their juice cups and stuffed animals, a little girl with her “poppy” or board book, hamburger meat with the appropriate spices, etc. Yet today, I find myself disconnected. From myself. I’ve been in that solitary place of being at a safe, but uncomfortable distance from my own thoughts, from my own hopes, from understanding what matters to me, from the tangible realities that motivate my passions. Does that ever happen to anyone else?

I’m lonely today, lost in that place where I can’t put my finger on any one thing, any one feeling, any one desire. I find myself distracted by the constant motion of my own wandering, and removed from the tangible connections of real living. I’m avoiding. Hiding. Shielding. Hedging.

I read a statement yesterday to the effect that LIVING is more than simply breathing in and out. That one stuck. While  the inhale and exhale of life is necessary, the fact of its involuntary nature lacks the intention that moves me beyond mere existence. It’s quantity, but not quality. It’s a breath, pure and simple. And while pure and simple may fulfill the body, it doesn’t speak to the sigh or heave or gasp or laugh or whistle or sniff that could touch my soul and spirit. Today, I’m not feeling the expansion of my lungs that a deep breath should afford. I’m not feeling the expansion of my perspective. There’s a disconnect somewhere–somewhere between the ordinary of existence and the extra-ordinary of living. I’m afraid the breakdown occurs in my own attention to detail. I need a fresh view of even the monotonous and seemingly insignificant gestures that really connect me to people and relationships and experiences (both near and far)–those that connect me to the world I live in, to the LIFE I want to really live. I need a shot of tangibility, something that brings me back to myself, something that reconnects me with what matters. To me.

9:06pm

10:17pm
I feel myself wanting to experience freshly, or for the first time, the little everyday tangible things that constitute living, familiary and connection. The things that bring near those who are far. The things that remind me of important times. The things that show me what’s changed. What’s the same. The things that cause me to see what’s right in front of me. The things that let me know life is alive.

10:30pm
For the next 15 minutes I’m making a Tangible Life list and checking it twice. Hello, intervention!

Handwriting. A four-year-old boy lingering in my lap. The smell of whole wheat pasta cooking. The inflection of a voice. The subtle shift in a smile when it’s tired. A well-chosen phrase. Finishing a conversation. Hearing something you need to hear. Hard-working hands. Vibrant color. Blue cloudless skies. Rinsing a little girl’s hair. Being asked to play with trains. Playing with trains. Turning the pages of a book. An unencumbered grin. A hearty laugh. Postage stamps. Little boys who “help.” Singing songs. Moving to music. A phone call with my mother. Hearing my father say “I love you.” A familiar quilt. A good vocabulary. Three-year-old arms around my neck. A dishwasher that works. A little girl’s giggle. Wooden spoons. Dinner at a restaurant. Chocolate ganache. Sweetened iced tea. A crisp February. Shiny earrings. Soft sweaters. Honey mustard. Drools. Car chase sounds. Dinosaur fights. The sound of a saxophone. Wiping a tear. Blowing a nose. Washing a blanket. The sound of a laptop keyboard. Blue jeans. Black boots. Soft touches. Kind words. Wide open smiles. Down pillows.

10:45pm
These things and experiences let me know this day is real. And, this day is all I know I have. Connection made.

“If one is forever cautious, can one remain a human being?”
~ Aleksandr Solzhenitsyn

Little Drummer Boy recently informed me that he is no longer afraid of Pinocchio. He received the Disney classic from G-Mo and Paw-T for his birthday last year. He got several movies as gifts, and it took us a while to get around to watching Pinocchio. LDB didn’t make it far into the story before he decided it was scary. We turned it off, put it out of sight and that was that.

Now, if you haven’t seen Pinocchio lately, let me indoctrinate you. There’s plenty for a four-year-old to find scary, and plenty to get me kicked out of the Mommy-of-the-Year running. It’s filled with all kinds of questionable activities: wooden boys coming to life, wiley fox hoodlums enticing boys away from school, child labor forced by one-toothed men, child slavery forced by seedy carnival producers, boys turning into donkeys, cigar smoking, lying, ferocious ship-swallowing whales, all those tick-tocking clocks while everyone’s trying to sleep, and the word “jackass.” Yep, plenty to instill trepidation.

So, through what I can only surmise was the influence of peer pressure, LDB announced that he was no longer afraid to watch the movie. “I promise,” he said. It sounds like maybe they watched the movie in his preschool class or read the book, and during that process of comraderie, he overcame his fear of growing donkey ears. That’s how it is with Little Drummer Boy. When confronted with a new and somewhat scary situation, his preference is to wait until he’s suddenly ready–until he grows more or forgets more or learns more, until he can partake effortlessly of the thing he can no longer remember frightened him. He just waits for the experience to sneak up on him.

Bug is different. I’m not actually sure Bug’s ever been afraid of anything, which makes ME lose a lot of sleep. He’s apt to put his whole tiny being into whatever presents itself, and caution has never been a barrier for him in making the experience completely his own. When we’re watching Pinocchio, there are a few parts that cause him concern, but they are often overcome by his desire to dance during the musical numbers that surround them. He might get up from his chair and run to the edge of the hallway, peeking around to see the upcoming scary scene from a safer distance. Or, he may run over and sit right next to me in anticipation of a frightening moment. He always continues watching, though. And, he’s somehow always able to overlook those troublesome scenes in favor of choreographing his dance moves for the next song. It’s courage, I tell you. And, I have a lot to learn.

There’s never been a time in this world when courage was needed more than today. It seems like more humans are in hunger than ever before. More in slavery. More in despair of governments and poverty and disease and court decisions. Yes, adequate courage is indeed wanted in nation building, but I’m realizing that just as profound a courage is wanted in basic human living. Can I really maintain myself as a human BEING if I am forever cautious about the being part? Of all the battlefields requiring valor in this day, perhaps the one most insistent is the battlefield of the ordinary, the daily living of life–living connected and engaged with all that such a life entails. That battlefield is the one where I’m required to BE the human being I am, staking claim to each moment with the courage to live it fully, and rescuing real, meaningful life from the abyss of complacency. No, there’s never been a time in MY life when courage was needed more. And, when I come to the end of it, I want to know that I’ve partaken of that courage and built that sustainable life beyond mere existence.

That’s the crux of my 2010 theme word pursuit. I started it with a quick Tuesday 25 last week, and the concept is in dire need of elaboration in the form of a post that’s been staring me in the face, unflinching, for several months now. Courage. I want to find it, to maintain it, to live by it in this one life with which I’m blessed. I want to apply it where the voids of hunger and hope for something more need filling. I want to adopt it where the constraints of routine need more freedom. I want to employ it where the chills of exposure need more covering. I want to speak with it where silence needs more breaking.

Yes, I have a lot to learn. From Little Drummer Boy. From Bug. From Pinocchio. I don’t want to spend my life waiting for the experience to sneak up on me at a time when I might be prepared to live it. To live a life unbounded requires courage–the courage to sit through the hard parts, to stand through them, to raise a fist at them, to grab someone’s hand through them, to run and hide from them, but to come back, to sneak a peek at them, to ask questions about them, to choreograph them and dance around them. I want to have the sheer audacity to move beyond existence. I want courage.

I’ve been thinking about stories. Every night I read them. Bug and Little Drummer Boy have their distinctive routines for getting in bed–their own special bed buddies, their own words they need to say to Mommy, their own way of wearing a blanket–and they always involve stories. Stories read and stories told. They would probably both read for hours or until their little eyelids gave way, but as the adult in the process, I usually set a few parameters. Bug reads two in the rocking chair by his bed and then gets in the crib for a backrub and a song. LDB reads one or two in the big red chair and then one in his bed before a backrub and a song. Mommy carries the veto power over whether we read short or long stories–and how many of their own stories they can tell–depending on how much time we have. I must admit that the system is a little fluid.

It’s funny reading stories with my children. Baby Girl’s version is a quick rampage through her little bookshelf. Every now and then she brings one to the window seat to discuss in her special Baby Girl language, but quickly tires of the details. Bug has finally moved past the rampage process and prefers to be in total control of the story experience, pointing out which words to read on each page. It makes for a disfunctional tale, but he seems to like it. Little Drummer Boy often ponders each page, asking questions and drawing conclusions about the characters at every turn. I’m always amazed at how they each become a part of every story they “read.” Each story is a story of us or of their day at school or of their favorite toy of the moment.

Me? I find myself focused at the beginning and end of the story, daydreaming through the pages. I coerce them into choosing a book to start. I rush them through closing the book and climbing in bed. In between, I often realize I’ve been thinking of something altogether different as I recite the words I’ve come to memorize.

I’ve been reminded over the past few weeks of the sheer generosity and courage found in telling stories–the stories at the heart of people. And, sadly, how quick I am to daydream through the pages, focused on the easier to mark signposts of start and finish, and assuming everything else in between. It’s so easy to impatiently want to skip to the end rather than endure the personal commitment of absorbing that daily, hard-revealed narrative. I’ve been amazed and grateful for the unselfish generosity of spirit revealed in the single pages of an individual’s story that has been freely laid open. And how much that generosity opens me to experience that story as my own–the story of us, not them.

This post is #300 in this little EyeJunkie storytelling experiment. The experiment represents the day to day pages of eighteen months and counting. It’s a humbling experience to see some of the connections that have been made through simple reading and writing, well-chosen and haphazard words. The stories start living. They breathe with the life of hardships and friendships and love and connections and disappointments and so many other things.

As I’ve been thinking through the direction of future posts, I’ve started to realize that stories need a storyteller so that those tales–of children and parents, hungry and thirsty, free and chained, crooked and straight–become the story of us. Not me. Not them. I want to be sure my attention in this endeavor is refocused on that generous act. I’ll try my best.

“We are living in a time of pervasive sleepwalking.”

I first read this quote back in 2000, and it has stayed embedded in my thoughts ever since. It speaks to the numbness we often feel in lives of complacency. The statement was attributed to the Greek 20th century poet, George Sefaris (circa 1939) in a book I read called Inventing Paradise by Edmund Keeley. It was an account of the so-called “generation of the 30s,” writers who cut their teeth during the years surrounding World War II in Greece, many from the exile to which they fled during the German invasion. It chronicled their activities and lifestyles through the war, the Greek occupation and the subsequent civil war. The book was primarily about Henry Miller and his friendship with many notable Greek nationalist poets, and it contained beautiful excerpts from some of their writings–many of which were not political in nature, but told the story of daily life in their homeland. George Sefaris was one of those poets. He spent much of his early life in exile, but later became a diplomat and was the first Greek to be awarded the Nobel Prize for Literature in 1963.

In reading the book, I found it very compelling that through writing so vividly about life as a Greek, poets like Sefaris tapped into common thoughts and hopes that transcend geography. Such is the way of poetry! Henry Miller wrote of George Sefaris that he “had begun to ripen into a universal poet–by passionately rooting himself into the soil of his people.”

So, why am I writing this now? On this, the eighth anniversary of the September 11th attacks on our country, I’m thinking about the pitfalls of freedom–how though we are jarred from our slumber, we often so quickly slip back into its complacency. I almost forgot about 9/11. Eight years ago we were riveted to our computers and radios at my office. The second plane hit the towers shortly after I got to work. By the time we got out of a scheduled client meeting, the towers were down. This week it’s been just a fleeting thought.

As I often do, I was looking through one of my old journals this week and found my notes from Inventing Paradise, including Sefaris’ quote, and I could clearly remember the vivid thought process surrounding Keeley’s description of that time period. I read the book in 2000, a year before the attacks of September 11th. In my journal entries, I recorded how accounts of the German occupation of Greece and the subsequent exile of many citizens reminded me that the only reason I can learn about some of the atrocities that occurred then is that those poets and statesmen survived. The stories of the ones who were murdered can only be pieced together, and some may never be told.

In 2001 we had the benefit of video cameras, cell phones, impromptu photographers and all that 21st century technology has to offer to record the events of 9/11. We have amazing collections of photos like those from the LIFE collection above documenting the heroism of so many. Still, some stories are only pieced together, and some may never be told. In these past eight years, the concerns, red or orange alerts and daily images of destruction have diminished. The shock and horror are not nearly as acute. And, though it’s colored much of our public and social policy, at times in the day to day it’s so forgettable.

My how freedom so easily settles into complacency of spirit. We live in the excess of a generation who has never known famine, lasting fear or often the sacrifice required by honor. My generation. September 11, 2001 only gave us a glimpse. Sadly enough, our freedom is often taken for granted because we only know how to be free. We’ve never experienced anything else. The events of 9/11 were the closest my generation has come to thinking our freedom was in real jeopardy–and even that jeopardy has turned more into an outrage and a springboard for the hot button issue du jour.  When I read about the pervasive apathy or disillusionment associated with “generation X,” I wonder. What do we have to be disillusioned about? We’ve lived our whole lives in the lap of freedom’s luxury. Entrenched in freedom, I can so easily default to laziness, restlessness, and ingratitude–to being asleep to the things that really matter, to the responsibilities inherent in this place of freedom. George Sefaris’ observation of 70 years ago is telling. Have I become lulled by my excess, my good fortune to have been born free and my privelege to have been granted freedom for all my life? Have I settled again into slumber, into contentedly closing my eyes to the world and the stories I encounter each day? Am I sleepwalking through this life of freedom?